Histoires
Créer des souvenirs en tant que mère célibataire
Pour la journaliste Rebecca Cope, photographier sa fille est devenu une véritable déclaration d’amour à leur petite famille


Histoires
Pour la journaliste Rebecca Cope, photographier sa fille est devenu une véritable déclaration d’amour à leur petite famille


Journaliste et ancienne directrice digitale de Tatler magazine, Rebecca Cope a interviewé les plus grandes stars d’Hollywood et sillonné les tapis rouges aux quatre coins du monde. Mais son plus précieux sujet est désormais bien plus près d’elle : il s’agit de sa fille, Luna. Depuis qu’elle est mère célibataire, Rebecca a détourné son objectif du monde extérieur et pratique la photographie pour capturer des instants d’amour, fugaces mais intenses, des instants de rires et d’éveil.
One of my favourite things to do is to go through my mum’s old photo albums. In fact, I think a lot of my earliest memories aren’t really memories at all. They’re memories of these photographs, many of which have become seared into my brain. A family friend dancing to “The Birdie Song” by The Tweets at my fifth birthday party. Whooshing down the slide into a paddling pool in my garden one hot summer’s day. Standing on a wooden balance beam in the school playground throwing up a peace symbol with my Year Six classmates. So many of these moments would have been lost to me had they not been cemented in celluloid.
Say what you will about the destructive aspects of smart phones, but one thing that they have been truly beneficial for is making documenting our lives easier. I’ve found this to be especially true as I’ve become a parent – I epitomise that cliché of the mum who sits scrolling through pictures of their baby once they’ve gone to sleep. Reliving moments from the day just past.
As a single mother, I’ve felt a particularly strong urge to document my daughter Luna’s early years, perhaps because there is no one else to “remember” these moments with me. It’s an insurance policy for my own mind, meaning I can always look back fondly and relive that first smile, footstep and “say cheese!” pose.
I know that once she’s older, she’ll cherish reliving these moments with me too, and it’ll be obvious how much I doted on her and celebrated her every triumph. In many ways, photography is storytelling, and I want her to see that even though her story might not have been a typical one, it was still so full of joy.
Documenter les premières années de ma fille est une forme de police d’assurance pour mon esprit. À tout moment, je peux me replonger avec tendresse dans ces souvenirs.
From the earliest days of her babyhood, I started snapping away. Her first picture is from mere hours after she was born, when I was reunited with my phone after a gruelling labour and emergency C-section. She’s got one eye closed and one eye open, as if she’s winking at the camera. In another, taken in those blurry first few days postpartum, she’s swaddled in the hospital’s lilac muslins and sleeping angelically – unfortunately not a precursor of her sleep personality to come. Then there’s photographs of us breastfeeding, which my doula insisted I’d look back on fondly one day (I do), and our first bath together, where she has a truly joyful look on her face. Both perhaps ones now to show at her 18th birthday party.
A common feeling of the motherhood journey is that it goes too fast. You can’t pinpoint those exact moments when your child’s face changes, or when they stop looking like a baby and start looking like a little person. Being able to trace how my daughter’s face has shifted is one of the most magical things that photography has allowed me to do. I can see the little girl she is becoming in those early pictures, but it’s amazing to see just how different she actually looks as well. And it’s so sweet watching her sassy personality become more and more evident. The almost three-year-old who dresses herself in a princess crown and sunglasses is very much cut from the same cloth as that winking newborn.
While she looked so much like her father at first, I now see more and more of myself in her. It’s something that, considering the demise of my relationship with her father, gives me a lot of joy to see. She’s becoming a mini-me. Comparing photographs of us at similar ages is a favourite pastime.
Être en mesure de garder une trace de l’évolution du visage de ma fille est l’une des choses les plus précieuses que la photographie m’ait donnée.
Towards the end of last year, my daughter’s paternal grandmother died suddenly. In the days afterwards, I combed throughout photographs of her with Luna, bitterly regretting that there weren’t more. There are just 22, from the handful of times that they met. It seems a particularly cruel number to be able to share with my daughter when she’s old enough to want to learn more about the Nanny she didn’t get to know and appreciate. For this reason, I’m trying harder than ever to capture moments between Luna and my mother, as well as with my sister, brother-in-law and auntie (as annoying as that might sometimes be for them). It’s so important to me that she can see herself as part of a loving family despite its relatively small size.
Something else I need to get better at? Asking other people to take photos of the two of us together. While I’ve got endless candid snaps of her at play or with my friends and family, I probably only have around 10 of the two of us that don’t involve a mirror selfie. I know that I cherish pictures of me and my parents growing up – it somehow roots us all more firmly in time to see us at different ages together. In the future, it will no doubt remind my daughter that I was a young(ish) person once too, navigating my own path through life, doing the best that I could.